Kelly Eginton's (1971, California/ USA) drawings and sculptures could be interpreted as mental landscapes. Her drawings show patterns of organic lines that intersect each other and move away from each other in a constant movement. She refers in her work indirectly to the landscape from her youth, the seventies and eighties in Riverside California, the horizon of the desert and the surrounding mountain tops combined with the memories of the first Arcade video games. Her works are abstract, do not seem to refer directly to anything but do appeal to one's imagination and have all kinds of references and know how to take you along and call up memories. Eginton's drawings and sculptures encourage to view and experience a work rather than reading a work, it is up to the spectator to have himself carried along by The Greater Inland Empire.