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Steffani Jemison

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Open a larger version of the following image in a popup: Steffani Jemison, Untitled , 2019
Open a larger version of the following image in a popup: Steffani Jemison, Untitled , 2019
Open a larger version of the following image in a popup: Steffani Jemison, Untitled , 2019
Open a larger version of the following image in a popup: Steffani Jemison, Untitled , 2019
Open a larger version of the following image in a popup: Steffani Jemison, Untitled , 2019

Steffani Jemison

Untitled , 2019
Acrylic paint, polyester film, acrylic, hardware
25" x 15" x 30"/ 63,5 x 38,1 x 76,2 cm
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Further images

  • (View a larger image of thumbnail 1 ) Steffani Jemison, Broken Fall (Organic), 2008
  • (View a larger image of thumbnail 2 ) Steffani Jemison, Broken Fall (Organic), 2008
  • (View a larger image of thumbnail 3 ) Steffani Jemison, Broken Fall (Organic), 2008
  • (View a larger image of thumbnail 4 ) Steffani Jemison, Broken Fall (Organic), 2008
  • (View a larger image of thumbnail 5 ) Steffani Jemison, Broken Fall (Organic), 2008
Specially commissioned for Jemison's first exhibition space De Appel (Amsterdam), these drawings on clear film stand as a continuation of Jemison’s interest in characters and markings from slave narratives, constructed...
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Specially commissioned for Jemison's first exhibition space De Appel (Amsterdam), these drawings on clear film stand as a continuation of Jemison’s interest in characters and markings from slave narratives, constructed languages, outsider artists, alternative alphabets, and utopian fiction. These works propose opacity as a political strategy and intentional obscurity as a way of re-claiming subjectivity and power. While spare and simple on the surface, each work corresponds to complex personal and social histories in which whole new forms of language were invented as a means of survival.
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Exhibitions

2022 Art Island, groupshow, Forteiland IJmuiden, IJmuiden NL
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