David Claerbout
David Claerbout (1969, Kortrijk, Belgium) lives and works in Antwerp and Berlin. Trained as a painter and draughtsman, Claerbout developed a practice that operates at the intersection of photography, film, video, 3D animation and digital technology. His work revolves around temporality and duration, concepts he distinguishes carefully: where time is an independent state, duration is an in-between, a suspended condition. Claerbout describes his method as "sculpting in duration," shaping single scenes that can unfold, dilate or transform through the presence of the spectator and the passage of time. His large-scale video installations establish a spatial and perceptual relationship between projected image, exhibition space and viewer, inviting a mode of absorption in which memory, experience and the boundaries between past and present become unstable. Sound plays a crucial role: it can orient the viewer within a scene, or pull them further from it.
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David ClaerboutThe woodcarver and the forest, 2025-open end -
David ClaerboutThe woodcarver and the forest (sunset colour chart), 2025 -
David ClaerboutThe woodcarver and the forest (Colour grading deviation towards blue and green), 2025 -
David ClaerboutThe woodcarver and the forest (woodcarver and forest), 2025 -
David ClaerboutBirdcage, 2023 -
David ClaerboutBackwards Growing Tree, 2023 -
David ClaerboutBackwards Growing Tree (Colour Study between Redflags and Blue), 2024 -
David ClaerboutBackwards Growing Tree (Study Winter and Snow falling to the Sky), 2024 -
David ClaerboutBackwards Growing Tree (The two seasons), 2024-2025 -
David ClaerboutAircraft FAL (Chaos Amidst/Within Structure), 2021 -
David ClaerboutWildfire (meditation on fire), 2019-2020 -
David Claerboutthe "Confetti" piece, 2015 - 2018 -
David ClaerboutConfetti Drawing (Confession), 2016 -
David ClaerboutStudy for a portrait (Violetta), 2001
Claerbout's work refuses to let the image settle in time, holding painting, photography and video in a permanent tension between then and now.
David Claerbout (1969, Kortrijk, Belgium) lives and works in Antwerp and Berlin. Trained as a painter and draughtsman, Claerbout developed a practice that operates at the intersection of photography, film, video, 3D animation and digital technology. His work revolves around temporality and duration, concepts he distinguishes carefully: where time is an independent state, duration is an in-between, a suspended condition. Claerbout describes his method as "sculpting in duration," shaping single scenes that can unfold, dilate or transform through the presence of the spectator and the passage of time. His large-scale video installations establish a spatial and perceptual relationship between projected image, exhibition space and viewer, inviting a mode of absorption in which memory, experience and the boundaries between past and present become unstable. Sound plays a crucial role: it can orient the viewer within a scene, or pull them further from it.
Claerbout studied at the Nationaal Hoger Instituut voor Schone Kunsten, Antwerp (1992–1995), and at the Rijksakademie van Beeldende Kunst, Amsterdam (1996). In 2007, he was awarded the Will-Grohmann-Preis of the Berlin Akademie der Künste, and in 2010, he received the Peill-Preis of the Günther-Peill-Stiftung. He participated in the DAAD Artists-in-Berlin Program from 2002 to 2003.
Solo exhibitions include Meditation in Peace, Taipei Fine Arts Museum, Taipei (2023); David Claerbout: The Close, Milwaukee Art Museum, Milwaukee (2022); Unseen Sounds, Garage Museum of Contemporary Art, Moscow (2021); Films, drawings and storyboards from the collection, De Pont Museum of Contemporary Art, Tilburg (2021); Olympia, Galerie Rudolfinum, Prague (2019); Laziness in Action, Kunstmuseum Winterthur (2018); Night Vision (Dark Optics), Les Abattoirs, Toulouse (2018); David Claerbout, Talbot Rice Gallery, University of Edinburgh (2018); Olympia, Schaulager, Laurent Stiftung, Münchenstein (2017); Olympia, M HKA, Antwerp (2016); Future, De Pont Museum, Tilburg (2016); David Claerbout: Architecture of Narrative, San Francisco Museum of Modern Art (2011); WIELS, Brussels (2011); David Claerbout, Espace 315, Centre Pompidou, Paris (2007); and Van Abbemuseum, Eindhoven (2005).
Group exhibitions include David Caspar Friedrich, Kunsthalle Hamburg (2023); Out of the Box, Schaulager, Basel (2023); Fragment of an Infinite Discourse, Lenbachhaus, Munich (2022); Uncombed, Unforeseen, Unconstrained, Conservatorio di Musica Benedetto Marcello, Venice (2022); Breathing, Hamburger Kunsthalle, Hamburg (2021); You Imagine What You Desire, 19th Biennale of Sydney (2014); More Light, 5th Moscow Biennale (2013); 7th Seoul International Media Art Biennale (2012); The World Belongs to You, Palazzo Grassi, Venice (2011); and São Paulo Biennial (2010).
His work is held in major public collections including Centre Pompidou, Paris; Pinakothek der Moderne, Munich; Hirshhorn Museum and Sculpture Garden, Washington D.C.; San Francisco Museum of Modern Art; Fondation Louis Vuitton; S.M.A.K., Ghent; De Pont Museum of Contemporary Art, Tilburg; M HKA, Antwerp; Lenbachhaus, Munich; Louisiana Museum of Modern Art; and Hamburger Bahnhof, Berlin, among others.
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David Claerbout
The woodcarver and the forest 5 Feb - 21 Mar 2026The woodcarver and the forest (2025) by David Claerbout unfolds around two central figures: a solitary woodcarver and the forest that surrounds him. Set in a large house deep in the woods, the film follows a man who spends his days ceaselessly carving wooden spoons, recalling craft practices often embraced as analogue antidotes to screen fatigue and as ways of reconnecting with nature. Over the course of the film, which represents two different days in the timespan of 13 years, there is a quiet and constant shift between inside and outside, until it becomes apparent that the forest has almost entirely disappeared.Read more -
David Claerbout | in The Bakery
The woodcarver and the forest 5 Feb - 21 Mar 2026The woodcarver and the forest (2025) unfolds around two central figures: a solitary woodcarver and the forest that surrounds him. Set in a large house deep in the woods, the film follows a man who spends his days ceaselessly carving wooden spoons, recalling craft practices often embraced as analogue antidotes to screen fatigue and as ways of reconnecting with nature. The slow, repetitive gestures of carving and the soft yet sharp sounds they produce evoke a sense of calm and focused attention, while introducing a subtle irony into the work as it questions comfort, attention, and the mechanisms through which contemporary art seeks to engage its audience. Over the course of the film, which represents two different days in the timespan of 13 years, there is a quiet and constant shift between inside and outside, until it becomes apparent that the forest has almost entirely disappeared. The final day of the 13 years is represented in black and white photographs.Read more -
David Claerbout | in The Bakery
the "confetti" piece 23 Nov 2018 - 12 Jan 2019Annet Gelink Gallery proudly presents Abstand, the second solo-show by Antonis Pittas (1973, Athens, lives and works in Amsterdam) with the gallery. Inside as opposite of outside. You as opposite...Read more -
David Claerbout
the “confetti” piece 23 Nov 2018 - 12 Jan 2019Read more -
David Claerbout
25 May - 29 Jun 2002The Annet Gelink Gallery proudly presents the first solo exhibition in the Netherlands of Belgian artist David Claerbout (1969). David Claerbout's work is a unique mixture of photography, film and...Read more
