Overview

 

Ed van der Elsken (1925, Amsterdam - 1990, Edam, The Netherlands) lived and worked in Amsterdam. Regarded as the enfant terrible of Dutch photography and one of the most influential image-makers of the twentieth century, van der Elsken expressed his encounters with people in photographs, photo books and films for more than forty years. A pioneer of street photography, his approach was intuitive, confrontational and deeply subjective, taking his own life as a starting point at a time when this was still highly unconventional. His gritty, snapshot-like aesthetic, rooted in direct and personal engagement with his subjects, proved enormously influential in the development of contemporary photography and continues to attract new generations of image-makers.

Works
  • Punks, Amsterdam
    Ed van der Elsken
    Punks, Amsterdam, ca. 1979
  • Kabuki-cho, Tokyo
    Ed van der Elsken
    Kabuki-cho, Tokyo, 1984
  • Tokyo
    Ed van der Elsken
    Tokyo, 1984
  • Oude Hoogstraat, Amsterdam
    Ed van der Elsken
    Oude Hoogstraat, Amsterdam, 1983
  • Rembrandtplein
    Ed van der Elsken
    Rembrandtplein, 1983
  • Tokyo
    Ed van der Elsken
    Tokyo, 1981
  • Dam, Amsterdam
    Ed van der Elsken
    Dam, Amsterdam, 1975
  • Moskou
    Ed van der Elsken
    Moskou, 1970
  • Swimmingpool, Moscow
    Ed van der Elsken
    Swimmingpool, Moscow, 1970
  • Reykjavik (formerly known as Belgium (Twins) 1968)
    Ed van der Elsken
    Reykjavik (formerly known as Belgium (Twins) 1968), 1969
  • Beethovenstraat
    Ed van der Elsken
    Beethovenstraat, 1967
  • Cuba
    Ed van der Elsken
    Cuba, 1967
  • Phnom Penh, Cambodia
    Ed van der Elsken
    Phnom Penh, Cambodia, 1967
  • Snoekjesgracht, Amsterdam
    Ed van der Elsken
    Snoekjesgracht, Amsterdam, 1961
  • Japan
    Ed van der Elsken
    Japan, 1960
  • Oudezijds Achterburgwal, Amsterdam
    Ed van der Elsken
    Oudezijds Achterburgwal, Amsterdam, 1958
  • Groenburgwal, Amsterdam
    Ed van der Elsken
    Groenburgwal, Amsterdam, 1956
  • Herengracht, Amsterdam
    Ed van der Elsken
    Herengracht, Amsterdam, 1956
  • Tweeling Amsterdam Nieuwmarkt
    Ed van der Elsken
    Tweeling Amsterdam Nieuwmarkt, 1956
  • Sèvres, Paris
    Ed van der Elsken
    Sèvres, Paris , 1954
  • Paris
    Ed van der Elsken
    Paris, 1950
  • Jean Michel and Freddy
    Ed van der Elsken
    Jean Michel and Freddy, 1951
  • Vali in the mirror with starlets, Paris
    Ed van der Elsken
    Vali in the mirror with starlets, Paris, 1952
  • Brigitte Bardot
    Ed van der Elsken
    Brigitte Bardot, 1951
  • Yakuza gangster, Osaka
    Ed van der Elsken
    Yakuza gangster, Osaka, 1960
  • Marseille
    Ed van der Elsken
    Marseille, 1975
  • Noord-Holland
    Ed van der Elsken
    Noord-Holland, 1974 ca.
  • Amsterdam
    Ed van der Elsken
    Amsterdam, 1974 ca.
  • Edam (paar op erf)
    Ed van der Elsken
    Edam (paar op erf), 1970
  • Pierre Feuillette, Paris
    Ed van der Elsken
    Pierre Feuillette, Paris, 1953
  • Chile
    Ed van der Elsken
    Chile, 1971
Biography
Van der Elsken, the enfant terrible of Dutch photography, spent four decades in pursuit of the people postwar society had overlooked, and changed the way a generation learned to look.

Ed van der Elsken (1925, Amsterdam - 1990, Edam, The Netherlands) lived and worked in Amsterdam. Regarded as the enfant terrible of Dutch photography and one of the most influential image-makers of the twentieth century, van der Elsken expressed his encounters with people in photographs, photo books and films for more than forty years. A pioneer of street photography, his approach was intuitive, confrontational and deeply subjective, taking his own life as a starting point at a time when this was still highly unconventional. His gritty, snapshot-like aesthetic, rooted in direct and personal engagement with his subjects, proved enormously influential in the development of contemporary photography and continues to attract new generations of image-makers.


Van der Elsken began photographing at the end of the 1940s. Like many young Dutch artists of his generation, he left what he perceived as the pettiness of postwar Holland for Paris, where he encountered the bohemian society of Saint-Germain-des-Prés, young people marked by the war, spending their days in bars, living on alcohol and drugs, bitter and desperate. At the suggestion of Edward Steichen, whom he met in Paris in 1953, he turned these photographs into a photographic novel. Love on the Left Bank (1956) made him immediately world famous. Some twenty photo books followed, including Jazz (1959), Sweet Life (1966), Eye Love You (1977) and Once Upon a Time (1981).

Solo exhibitions include Ed van der Elsken: Crazy World, Rijksmuseum, Amsterdam (2020); Sweet Life, Annet Gelink Gallery, Amsterdam (2019); Lust For Life, Nederlands Fotomuseum, Rotterdam (2019); Ed van der Elsken through the eyes of Jan de Bont, Rijksmuseum, Amsterdam (2018); Sidewalks, the Bakery, Annet Gelink Gallery, Amsterdam (2018); Camera in Love, Jeu de Paume, Paris (2017); Camera in Love, Stedelijk Museum, Amsterdam (2017); Ed van der Elsken, Fundación Mapfre, Madrid (2018); Ed van der Elsken: "Love" & other stories, Howard Greenberg Gallery, New York (2015); Me and You: Mario Testino and Ed van der Elsken, Annet Gelink Gallery, Amsterdam (2015); LOOK.ED!, Annet Gelink Gallery, Amsterdam (2012); Tokyo Symphony, Nederlands Fotomuseum, Rotterdam (2010); Love on the Left Bank, Metropolitan Museum Tokyo (2003); Ed van der Elsken: Sweet Life. Fotografie + Film 1949-1990, Kunstmuseum, Wolfsburg (2000); Once Upon a Time, Stedelijk Museum, Amsterdam (1991); Een liefdesgeschiedenis in Saint Germain des Prés, Stedelijk Museum, Amsterdam (1983); Eye Love You, Stedelijk Museum, Amsterdam (1977); and Walker Art Center, Minneapolis (1955).

Group exhibitions include Bohemia: History of an Idea, 1950-2000, Kunsthalle Praha, Prague (2023); The Avant-Garde Won't Give Up: COBRA and Its Legacy, Blum & Poe Gallery, Los Angeles (2015); Modern Times, Rijksmuseum, Amsterdam (2014); In the Face of History: European Photographers in the 20th Century, Barbican Art Gallery, London (2006); Documenta X, Kassel (1997); 5 Masters of European Photography, The Photographer's Gallery, London (1973); The Family of Man, Museum of Modern Art, New York (1955); and Post-war European Photography, Museum of Modern Art, New York (1953).

Works held in the collections of the Stedelijk Museum Amsterdam; Rijksmuseum, Amsterdam; The Museum of Modern Art, New York; The Art Institute of Chicago; Museo Reina Sofia, Madrid; Nederlands Fotomuseum, Rotterdam; Bibliotheque Nationale, Paris; Museum Voorlinden, Wassenaar; and Fotomuseum Den Haag.

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