A group of actors gather on a stage, ready for their performance. They are playing the all- female government of an imaginary nation.
In light of the looming threat posed by an enemy country which is increasing its nuclear stockpiles, the government assembles in its Peace Room—so named as an inversion of Dr. Strangelove’s War Room, because here peace is preferable to war. In deciding how to respond, and in considering whether to proceed with their plans for unilateral disarmament, the government consults with female experts— real-life specialists, defense advisers, soldiers, lawyers, peace activists, humanitarians and politicians—who join the actors on stage.

As the women exchange ideas about war, security, and inequality, their discussion ranges across the global emergencies of our male-dominated reality, with climate change, toxic masculinity and the nuclear arms race rising to the fore. As they strive to reimagine international gender paradigms, tensions escalate with the enemy nation—the country’s leader is a man obsessed with the size of his
rocket, and he seems determined to prove to the world that his big red button really does work.

Two Minutes to Midnight is the final stage of a four year transdisciplinary series by Yael Bartana. Incorporating footage recorded at experimental public performances in Aarhus, Berlin and Philadelphia, it presents a filmic synthesis of the series’ ideas, images and actions. By placing real-life participants within a fictional environment, and mixing scripted material with improvised discussions, the project explores what would happen if countries around the world were governed by women.

Foreshadowing the real-life study that COVID-19 provided for this inquiry, the work examines the impact that female-led governments would have on the way that international crises are resolved, seeking to answer the ever-so pertinent question that forms the title of Bartana’s series: ‘What if Women Ruled the World?’