Bertien van Manen
Bertien van Manen (1942, Den Haag, Netherlands) lived and worked in Amsterdam. Van Manen began by documenting her own family in the 1970s before working as a fashion photographer. After encountering Robert Frank's book "The Americans," she shifted toward a more raw, spontaneous and personal approach. Her methodology involved immersing herself in communities, learning languages, living alongside her subjects, and using small handheld cameras to maintain an unobtrusive presence. "People felt less threatened by them," she said. "You're with a guest who also takes photos, rather than with a photographer who's your guest." Her subjects included nuns, female migrant workers, mining communities in Appalachia, and ordinary life in the former Soviet Union and China. She published 10 collections of her work, including A Hundred Summers A Hundred Winters (1994), East Wind West Wind (2001), Let's Sit Down Before We Go (2011), Moonshine (2014), and Archive (2021).
-
Bertien van ManenTao in her dormitory, 1997-2000 -
Bertien van ManenWeifang Travelling, 1997-2000 -
Bertien van ManenMegin putting on make-up Cumberland Kentucky, 1996 -
Bertien van ManenGent, 1979 -
Bertien van ManenHaarlem , 1978 -
Bertien van ManenAmsterdam, 1977. Kinderfeest., 1977 -
Bertien van ManenEtten-Leur, 1977 -
Bertien van ManenHoorn, 1977 -
Bertien van ManenAllen in front of window, Tennessee, 2007 -
Bertien van ManenApanas - Pjotr and his Family, 1993 -
Bertien van ManenDavid on swing, Vam, West Virginia, 1987 -
Bertien van ManenNathan, Cumberland Kentucky, 1997 -
Bertien van ManenOdessa - Ljalja, 1991 -
Bertien van ManenScottie, Cumberland, Kentucky, 1987
For five decades, Van Manen photographed communities from the inside, earning through time the intimacy that her pictures required.
Bertien van Manen (1942, Den Haag, Netherlands) lived and worked in Amsterdam. Van Manen began by documenting her own family in the 1970s before working as a fashion photographer. After encountering Robert Frank's book "The Americans," she shifted toward a more raw, spontaneous and personal approach. Her methodology involved immersing herself in communities, learning languages, living alongside her subjects, and using small handheld cameras to maintain an unobtrusive presence. "People felt less threatened by them," she said. "You're with a guest who also takes photos, rather than with a photographer who's your guest." Her subjects included nuns, female migrant workers, mining communities in Appalachia, and ordinary life in the former Soviet Union and China. She published 10 collections of her work, including A Hundred Summers A Hundred Winters (1994), East Wind West Wind (2001), Let's Sit Down Before We Go (2011), Moonshine (2014), and Archive (2021).
Van Manen taught part-time at the St. Joost Academy Breda and at the Rietveld Academy Amsterdam.
Solo exhibitions include Gluckauf, Schunck, Heerlen (2023); Let's sit down before we go, Hamburg Werkstatt Fotografie, Hamburg (2022); Hidden in another world, Annet Gelink Gallery, Amsterdam (2021); wish i were here, FoMu, Antwerp (2020); Moonshine, Annet Gelink Gallery, Amsterdam (2019); Bertien van Manen: Archive (1970–2021), Enter Enter - A Space for Books, Amsterdam (2018); Galerie Robert Morat, Berlin (2016); In camera, Paris (2015); HE.RO, Gabriel Rolt, Amsterdam (2014); Beyond the Image. Bertien van Manen and Friends, Stedelijk Museum, Amsterdam (2013); FOAM, Amsterdam (2012); Galerie Robert Morat, Berlin (2011); Yancey Richardson Gallery, New York (2009); Museum fur Gestaltung, Zurich (2008).
Group exhibitions include Defender, Galerie Barbara Thumm, Berlin (2020); I am a native foreigner, Stedelijk Museum, Amsterdam (2017); George Eastman Museum, Rochester (2016); The Thing Itself, Yancey Richardson, New York (2015); Moscow Biennale, Moscow (2012); This Infinite World, Fotomuseum Winterthur (2011); New Photography, MoMA, New York (2005); Hidden in Plain Sight, Metropolitan Museum of Art, New York (2004).
Her work is held in the collections of the Stedelijk Museum, Amsterdam; The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art; Maison Européenne de la Photographie, Paris; Fotomuseum Winterthur; and Rijksmuseum, Amsterdam, among others.
-
Groupshow: The Eye of Amsterdam | in The Bakery
Ed van der Elsken, Bertien van Manen, Robby Müller, Johannes Schwartz, Koos Breukel, Dana Lixenberg, Rineke Dijkstra 4 Jul - 16 Aug 2025Annet Gelink Gallery is proud to present The Eye of Amsterdam, marking the gallery’s 25th anniversary and the 750th anniversary of the city of Amsterdam. The exhibition is a photographic...Read more -
Groupshow: The Eye of Amsterdam
Ed van der Elsken, Bertien van Manen, Robby Müller, Johannes Schwartz, Koos Breukel, Dana Lixenberg, Rineke Dijkstra 4 Jul - 16 Aug 2025Annet Gelink Gallery is proud to present The Eye of Amsterdam , marking the gallery’s 25th anniversary and the 750th anniversary of the city of Amsterdam. The exhibition is a...Read more -
Bertien van Manen | in The Bakery
Hidden in Another World 18 Nov 2023 - 6 Jan 2024HIDDEN IN ANOTHER WORLD BERTIEN VAN MANEN 18 November 2023 – 6 January 2024 Annet Gelink Gallery is proud to announce Hidden in Another World, Bertien van Manen's second solo...Read more -
Bertien van Manen | in The Bakery
Moonshine 17 Jun - 14 Aug 2021“There’s nothing more hallucinating than Moonshine and reefers on a hot, sultry summer evening out on the porch, in the silence of the mountains, with only the zoom of the...Read more -
Bertien van Manen
Moonshine 17 Jun - 14 Aug 2021“There’s nothing more hallucinating than Moonshine and reefers on a hot, sultry summer evening out on the porch, in the silence of the mountains, with only the zoom of the...Read more
