Overview

 

Bertien van Manen (1942, Den Haag, Netherlands) lived and worked in Amsterdam. Van Manen began by documenting her own family in the 1970s before working as a fashion photographer. After encountering Robert Frank's book "The Americans," she shifted toward a more raw, spontaneous and personal approach. Her methodology involved immersing herself in communities, learning languages, living alongside her subjects, and using small handheld cameras to maintain an unobtrusive presence. "People felt less threatened by them," she said. "You're with a guest who also takes photos, rather than with a photographer who's your guest." Her subjects included nuns, female migrant workers, mining communities in Appalachia, and ordinary life in the former Soviet Union and China. She published 10 collections of her work, including A Hundred Summers A Hundred Winters (1994), East Wind West Wind (2001), Let's Sit Down Before We Go (2011), Moonshine (2014), and Archive (2021).

Works
  • Tao in her dormitory
    Bertien van Manen
    Tao in her dormitory, 1997-2000
  • Weifang Travelling
    Bertien van Manen
    Weifang Travelling, 1997-2000
  • Megin putting on make-up Cumberland Kentucky
    Bertien van Manen
    Megin putting on make-up Cumberland Kentucky, 1996
  • Gent
    Bertien van Manen
    Gent, 1979
  • Haarlem
    Bertien van Manen
    Haarlem , 1978
  • Amsterdam, 1977. Kinderfeest.
    Bertien van Manen
    Amsterdam, 1977. Kinderfeest., 1977
  • Etten-Leur
    Bertien van Manen
    Etten-Leur, 1977
  • Hoorn
    Bertien van Manen
    Hoorn, 1977
  • Allen in front of window, Tennessee
    Bertien van Manen
    Allen in front of window, Tennessee, 2007
  • Apanas - Pjotr and his Family
    Bertien van Manen
    Apanas - Pjotr and his Family, 1993
  • David on swing, Vam, West Virginia
    Bertien van Manen
    David on swing, Vam, West Virginia, 1987
  • Nathan, Cumberland Kentucky
    Bertien van Manen
    Nathan, Cumberland Kentucky, 1997
  • Odessa - Ljalja
    Bertien van Manen
    Odessa - Ljalja, 1991
  • Scottie, Cumberland, Kentucky
    Bertien van Manen
    Scottie, Cumberland, Kentucky, 1987
Biography
For five decades, Van Manen photographed communities from the inside, earning through time the intimacy that her pictures required.

Bertien van Manen (1942, Den Haag, Netherlands) lived and worked in Amsterdam. Van Manen began by documenting her own family in the 1970s before working as a fashion photographer. After encountering Robert Frank's book "The Americans," she shifted toward a more raw, spontaneous and personal approach. Her methodology involved immersing herself in communities, learning languages, living alongside her subjects, and using small handheld cameras to maintain an unobtrusive presence. "People felt less threatened by them," she said. "You're with a guest who also takes photos, rather than with a photographer who's your guest." Her subjects included nuns, female migrant workers, mining communities in Appalachia, and ordinary life in the former Soviet Union and China. She published 10 collections of her work, including A Hundred Summers A Hundred Winters (1994), East Wind West Wind (2001), Let's Sit Down Before We Go (2011), Moonshine (2014), and Archive (2021).

Van Manen taught part-time at the St. Joost Academy Breda and at the Rietveld Academy Amsterdam.

Solo exhibitions include Gluckauf, Schunck, Heerlen (2023); Let's sit down before we go, Hamburg Werkstatt Fotografie, Hamburg (2022); Hidden in another world, Annet Gelink Gallery, Amsterdam (2021); wish i were here, FoMu, Antwerp (2020); Moonshine, Annet Gelink Gallery, Amsterdam (2019); Bertien van Manen: Archive (1970–2021), Enter Enter - A Space for Books, Amsterdam (2018); Galerie Robert Morat, Berlin (2016); In camera, Paris (2015); HE.RO, Gabriel Rolt, Amsterdam (2014); Beyond the Image. Bertien van Manen and Friends, Stedelijk Museum, Amsterdam (2013); FOAM, Amsterdam (2012); Galerie Robert Morat, Berlin (2011); Yancey Richardson Gallery, New York (2009); Museum fur Gestaltung, Zurich (2008).

Group exhibitions include Defender, Galerie Barbara Thumm, Berlin (2020); I am a native foreigner, Stedelijk Museum, Amsterdam (2017); George Eastman Museum, Rochester (2016); The Thing Itself, Yancey Richardson, New York (2015); Moscow Biennale, Moscow (2012); This Infinite World, Fotomuseum Winterthur (2011); New Photography, MoMA, New York (2005); Hidden in Plain Sight, Metropolitan Museum of Art, New York (2004).

Her work is held in the collections of the Stedelijk Museum, Amsterdam; The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art; Maison Européenne de la Photographie, Paris; Fotomuseum Winterthur; and Rijksmuseum, Amsterdam, among others.

Exhibitions
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