Inferno (1), 2014
LED light box, with dimmable switch, Inkjet Print on Backlit Film with Epson Ultrachrome K3 Ink
image: 80 x 120 cm
lightbox 84 x 124 x 8 cm
lightbox 84 x 124 x 8 cm
edition 3/3 + 2 AP
Exhibitions
2015 Back to the Future, Annet Gelink Gallery, Amsterdam NL
Film still taken out from her work 'Inferno' 2014. The starting point of Inferno is the current construction of the third Temple of Solomon (Templo de Salmão) in São Paulo by a Brazilian Neo-Pentecostal Church, the Universal Church of the Kingdom of God (UCKG), founded in Rio de Janeiro in the late-1970s with millions of adherents in Brazil and internationally. Inferno confronts this conflation of place, history, and belief, providing insight into the complex realities of Latin America that have given rise to the temple project. Her work addresses the grandiose temple project through a vision of its future: Does its construction necessarily foreshadow its destruction? Using a powerful cinematic language, Inferno collapses histories of antiquity in the Middle East with a surreal present unfolding halfway around the world.